This is Not Entertainment: Experiencing the Dream House

Krueger, Ted (author)

Architectural Design ; 78 ; 12-15

2008-05-01

4 pages

1554-2769 , 0003-8504

https://doi.org/10.1002/ad.667

Article (Journal)

Electronic Resource

English

Magenta Day/Magenta Night, 1993 , Dream House 1990: The Prime Twins in The Ranges 567 to 448; 228 to 224; 144 to 112; 72 to 56; 36 to 28; with The Range Limits 576,448,288,224,144,56 and 28 (1990 VIII 16 c. 1:00 AM NYC) with The Base 9:7:4: (1991–2005), Biennale d'Art Contemporain de Lyon, France, 2005 , monochromatic room , New York's Tribeca district , drone , dynamic calligraphy , The Base 9:7:4 Symmetry in Prime Time When Centered above and below The Lowest Term Primes in the Range 288 to 224 with The Addition of 279 and 261 in Which The Half of the Symmetric Division Mapped above and Including 288 Consists of The Powers of 2 Multiplied by The Primes within The Ranges of 144 to 128, 72 to 64 and 36 to 32 Which Are Symmetrical to Those Primes in Lowest Terms in The Half of The Symmetric Division Mapped below and Including 224 within The Ranges 126 to 112, 63 to 56 and 31,5 to 28 with The Addition of 119; Dream House: The Well‐tuned Piano in The Magenta Lights, Kunst im Regenbogenstadl, Polling, Germany, 2001–present. , La Monte Young, Marian Zazeela, Dream House: Seven+Eight years of sound and light, Mela Foundation, New York, 1993‐present , single chord , Catherine Hennix , white‐painted aluminium spirals , Terry Riley , “time standing still” , Imagic Light, 1993 , Marian Zazeela, Ruine Window, MELA Foundation, New York, 1992, from Still Light, 1984–present , David Rayna‐designed interval synthesiser , magenta light , changes correlate with even the slightest movement