A platform for research: civil engineering, architecture and urbanism
A platform for research: civil engineering, architecture and urbanism
Architecture as a Dissident Practice: An Interview with Diller Scofidio + Renfro
For three decades architect Liz Diller and artist Ricardo Scofidio have been collaborating on projects that test the boundaries between art and architecture. They have done more than any other practice to champion interdisciplinary research and to advocate architecture as a wider form of cultural production. Olympia Kazi went to talk to Liz Diller to ask her if she thinks theory could really be dead, or merely in a ‘lull’. Copyright © 2009 John Wiley & Sons, Ltd.
Architecture as a Dissident Practice: An Interview with Diller Scofidio + Renfro
For three decades architect Liz Diller and artist Ricardo Scofidio have been collaborating on projects that test the boundaries between art and architecture. They have done more than any other practice to champion interdisciplinary research and to advocate architecture as a wider form of cultural production. Olympia Kazi went to talk to Liz Diller to ask her if she thinks theory could really be dead, or merely in a ‘lull’. Copyright © 2009 John Wiley & Sons, Ltd.
Architecture as a Dissident Practice: An Interview with Diller Scofidio + Renfro
Kazi, Olympia (author)
Architectural Design ; 79 ; 56-59
2009-01-01
4 pages
Article (Journal)
Electronic Resource
English
renovation and expansion of the architectural complex of the Lincoln Center , Liz Diller , “When you stop moving, space flattens” , interscenium , 2002 Swiss Expo , undermining conventions of space and time in real time. , ‘an interdisciplinary firm straddling architecture, urban design, visual arts and the performing arts’ , an architecture of atmosphere , ‘thick understanding’ , 45‐degree mirror above the stage , Matthew Maguire , thousands of mist nozzles create an artificial cloud , scenographies and set designs , Ricardo Scofidio , Luigi Prestinenza Puglisi , Diller +Scofidio, Scenography for American Mysteries, La MaMa Experimental Theater Club, New York, 1983 , Blur Building , The set is simply divided into nine spaces, nine acts, nine characters, nine stories , architecture is event‐making , three ‘afters’:after theory, after perspective and after the Twin Towers , Moving Target , transformation of the High Line , Institute of Contemporary Art in Boston , architecture's fundamental heteronomy , Charles Renfro , Frédéric Flamand
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