A platform for research: civil engineering, architecture and urbanism
A platform for research: civil engineering, architecture and urbanism
Public Aesthetics and Artistic Value in Iranian Cinema
This chapter explores the public aesthetic and artistic values that motion pictures have brought to Iranian society, and to the global community. It investigates some of the most significant individuals, cultural movements, and trends that affected the public aesthetic and artistic values of Iranian cinema. In 1900, cinema was brought to Iran by two separate parties seeking totally opposing goals. The aim of the first party was private leisure and viewership among the royal elite of Tehran. The second party brought the cinematograph for public viewership and entertainment in Tabriz. By the early 1950s, Iranian cinema had become a visible part of public life and the most popular and accessible visual art. Khachikian's contribution to the public aesthetic values of Iranian cinema was creating the distinctive genre of Tehran Noir, where tradition and modernity, as well as mainstream and marginal cultures cohabit one narrative space.
Public Aesthetics and Artistic Value in Iranian Cinema
This chapter explores the public aesthetic and artistic values that motion pictures have brought to Iranian society, and to the global community. It investigates some of the most significant individuals, cultural movements, and trends that affected the public aesthetic and artistic values of Iranian cinema. In 1900, cinema was brought to Iran by two separate parties seeking totally opposing goals. The aim of the first party was private leisure and viewership among the royal elite of Tehran. The second party brought the cinematograph for public viewership and entertainment in Tabriz. By the early 1950s, Iranian cinema had become a visible part of public life and the most popular and accessible visual art. Khachikian's contribution to the public aesthetic values of Iranian cinema was creating the distinctive genre of Tehran Noir, where tradition and modernity, as well as mainstream and marginal cultures cohabit one narrative space.
Public Aesthetics and Artistic Value in Iranian Cinema
Hjort, Mette (editor) / Nannicelli, Ted (editor) / Sheibani, Khatereh (author)
2022-02-25
23 pages
Article/Chapter (Book)
Electronic Resource
English
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