A platform for research: civil engineering, architecture and urbanism
A platform for research: civil engineering, architecture and urbanism
10.1002/ad.290.abs
Writing software is at the core of CEB Reas's artistic practice. The digital is his medium of choice rather than a means of manipulation. He reflects on the evolution of his work in software and why the history of using computers to produce visual images is largely an unrecorded one in the history of art, but why this might all be set to change as scripting takes on a new primacy in contemporary art. Copyright © 2006 John Wiley & Sons, Ltd.
10.1002/ad.290.abs
Writing software is at the core of CEB Reas's artistic practice. The digital is his medium of choice rather than a means of manipulation. He reflects on the evolution of his work in software and why the history of using computers to produce visual images is largely an unrecorded one in the history of art, but why this might all be set to change as scripting takes on a new primacy in contemporary art. Copyright © 2006 John Wiley & Sons, Ltd.
Process/drawing
Rea, CEB (author)
Architectural Design ; 76 ; 26-33
2006-07-01
8 pages
Article (Journal)
Electronic Resource
English
Emergence , Fluxus , John Maeda , La Monte Young , Experiments in Art and Technology (EAT) , Sol LeWitt , BANK Art Gallery, Los Angeles , Aesthetics and Computation Group at MIT , Hans Haacke , TI installation , A Michael Noll , MicroImage (2003) , John Baldessari , Software {Structures} 2 project , Whitney Museum of American Art's Artport , Los Angeles County Museum of Art's Art and Technology , Tissue (2002) , OpenGL Graphics library , Yoko Ono , Gene Youngblood , Jasia Reichardt , Expanded Cinema
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