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Prosthetic Mythologies
10.1002/ad.706.abs
The forest wilderness of Kielder in Northumbria is one ofEngland's remotest areas. Sharing an ecology similar to much of northern Scandinavia, Alaska and Canada, it shares none of its native culture or folklore. Only planted in the 1920s, the conifer forests are relatively recent ‐ a graft on the natural landscape. Kate Davies andEmmanuel Vercruysse of LIQUID FACTORY describe how their site‐specific performance piece sought out the psychological power of the forest, embuing it with ‘Prosthetic Mythologies’. Copyright © 2008 John Wiley & Sons, Ltd.
Prosthetic Mythologies
10.1002/ad.706.abs
The forest wilderness of Kielder in Northumbria is one ofEngland's remotest areas. Sharing an ecology similar to much of northern Scandinavia, Alaska and Canada, it shares none of its native culture or folklore. Only planted in the 1920s, the conifer forests are relatively recent ‐ a graft on the natural landscape. Kate Davies andEmmanuel Vercruysse of LIQUID FACTORY describe how their site‐specific performance piece sought out the psychological power of the forest, embuing it with ‘Prosthetic Mythologies’. Copyright © 2008 John Wiley & Sons, Ltd.
Prosthetic Mythologies
Davies, Kate (author) / Vercruysse, Emmanuel (author)
Architectural Design ; 78 ; 56-61
2008-07-01
6 pages
Article (Journal)
Electronic Resource
English
‘wood‐wives’ , ‘Entre chien et le loup’ (between dog and wolf). , the Vespertine (dusk) , the Martinal (dawn) , windigo , automated performance piece , (skogsrå or huldra) , Liquid Factory, Prosthetic Mythologies, Kielder Forest, Northumbria, 2007 , Rainer Maria Rilke , a crescendo of rhythmic layers falling in and out of phase with each other
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