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Twenty Years After (Deconstructivism): An Interview with Bernard Tschumi
Michele Costanzo interviews Bernard Tschumi about his work and his vision of the changing field of contemporary design research. How do the younger generation of students receive Tschumi's seminal theoretical works? Is a lack of time merely the current scapegoat for a more considered conceptual approach? How does Tschumi view the proliferation of architectural fetishes in the urban landscape? How is his own theoretical landscape shifting? Copyright © 2009 John Wiley & Sons, Ltd.
Twenty Years After (Deconstructivism): An Interview with Bernard Tschumi
Michele Costanzo interviews Bernard Tschumi about his work and his vision of the changing field of contemporary design research. How do the younger generation of students receive Tschumi's seminal theoretical works? Is a lack of time merely the current scapegoat for a more considered conceptual approach? How does Tschumi view the proliferation of architectural fetishes in the urban landscape? How is his own theoretical landscape shifting? Copyright © 2009 John Wiley & Sons, Ltd.
Twenty Years After (Deconstructivism): An Interview with Bernard Tschumi
Costanzo, Michele (author)
Architectural Design ; 79 ; 24-29
2009-01-01
6 pages
Article (Journal)
Electronic Resource
English
Bernard Tschumi, Concert Hall and Exhibition Centre, Rouen, France, 2001 , Parc de la Villette in Paris , Thom Mayne , ‘formalistic’ is vis‐á‐vis the current hedonistic attitude affecting architecture now , ‘Perfect Acts of Architecture’ , economic slowdown , vital places open to a range of human activities and exchanges:places committed to the satisfaction of social needs , crisis in theoretical thought , New Acropolis Museum, Athens, 2009 , Practice is a theory, a theory of contexts. , 2001:A Space Odyssey , Blue Residential Tower, Manhattan, New York, 2007 , The Manhatttan Transcripts , School of Architecture, FIU Miami, Florida, 2003 , Elia Zenghelis , Jeff Kipnis , “concept‐form” , Daniel Libeskind , Electric Lady Land , Event‐Cities , time to re‐evaluate how the architect might become an operative figure in the world , burgeoning international economy , The Screenplays (1977) , Dean of the Graduate School of Architecture, Planning and Preservation at Columbia University in New York , Rem Koolhaas , schism in architecture , early 1990s , ‘Concept, Context, Content’ , Peter Eisenman , globalised world of design , three simultaneous layers of reality , Concert Hall, Limoges, France, 2007 , Lindner Athletic Center, University of Cincinnati, Ohio, 2006
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