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In November 2009, the Ashmolean Museum opened a new extension that doubled its gallery space on its existing city centre site. Howard Watson looks at how the redevelopment of the museum has been to its benefit curatorially, optimising the display space available for its extensive collections, but also enabling new connections to be made between artefacts in a way that fully tells the stories of civilisations across the globe. Copyright © 2010 John Wiley & Sons, Ltd.
10.1002/ad.1084.abs
In November 2009, the Ashmolean Museum opened a new extension that doubled its gallery space on its existing city centre site. Howard Watson looks at how the redevelopment of the museum has been to its benefit curatorially, optimising the display space available for its extensive collections, but also enabling new connections to be made between artefacts in a way that fully tells the stories of civilisations across the globe. Copyright © 2010 John Wiley & Sons, Ltd.
Ashmolean Museum, Oxford
Watson, Howard (author)
Architectural Design ; 80 ; 102-105
2010-05-01
4 pages
Article (Journal)
Electronic Resource
English
Charles Cockerell's 1845 creation , ‘Crossing Borders, Crossing Time’ , Exhibition designers/architects Metaphor , white linearity and glass , Christopher Brown , Portland stone , Stephen Greenberg. , John Tradescant , 39 additional galleries , Elias Ashmole , Dulwich Picture Gallery , Rick Mather Architects, Ashmolean Museum of Art and Archaeology, Oxford, 2009
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