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Recent History ‐ Art In Ruins
10.1002/ad.957.abs
Some two decades on, guest‐editor Nic Clear returns to the work of Hannah Vowles and Glyn Banks of collaborative art practice Art in Ruins. As cited by Brian Hatton on their behalf in 1989: ‘in the city of the future everything will be historical (ie visited) for fifteen minutes’. Copyright © 2009 John Wiley & Sons, Ltd.
Recent History ‐ Art In Ruins
10.1002/ad.957.abs
Some two decades on, guest‐editor Nic Clear returns to the work of Hannah Vowles and Glyn Banks of collaborative art practice Art in Ruins. As cited by Brian Hatton on their behalf in 1989: ‘in the city of the future everything will be historical (ie visited) for fifteen minutes’. Copyright © 2009 John Wiley & Sons, Ltd.
Recent History ‐ Art In Ruins
Vowles, Hannah (author) / Banks/Art in Ruins, Glyn (author) / Clear, Nic (author)
Architectural Design ; 79 ; 92-95
2009-09-01
4 pages
Article (Journal)
Electronic Resource
English
global placelessness , Jean Baudrillard's term ‘Game with Vestiges’ , Acquisition and tourism are versions of each other , Brian Hatton, ‘Secret Destiny’, Building Design, No 957 , Drawing from Cities of the Dead: Grand Opera, Bonner Kunstverein, Germany, 1988 , ‘fragments’ , Drawing from Cities of the Dead: Vampire Value, Ecole des Beaux Arts, Tourcoing, France, 1988 , Art in Ruins, Drawing from Cities of the Dead: New Realism ‐From the Museum of Ruined Intentions, Gimpel Fils Gallery, London, 1987 , Warhol , from their own ‘history’ , totalitarianism
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