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Desirous Forces: The Great Endeavor, the Machine Allegory of Worldbuilding
The machinic moving image has the power to engage with a larger audience than a drawing. It often strips away ambiguity, getting its message across fast and indelibly, coupled with the troubles of our age – particularly the mitigation of climate change, the need for profound international cooperation, and the sheer scale of the intervention required to ease these problems. Marissa Lindquist evokes Australian artist and filmmaker Liam Young's Great Endeavor film project that relishes a new technological sublime – long a preoccupation in his work.
Desirous Forces: The Great Endeavor, the Machine Allegory of Worldbuilding
The machinic moving image has the power to engage with a larger audience than a drawing. It often strips away ambiguity, getting its message across fast and indelibly, coupled with the troubles of our age – particularly the mitigation of climate change, the need for profound international cooperation, and the sheer scale of the intervention required to ease these problems. Marissa Lindquist evokes Australian artist and filmmaker Liam Young's Great Endeavor film project that relishes a new technological sublime – long a preoccupation in his work.
Desirous Forces: The Great Endeavor, the Machine Allegory of Worldbuilding
Lindquist, Marissa (author)
Architectural Design ; 94 ; 102-109
2024-11-01
1 pages
Article (Journal)
Electronic Resource
English
David Lynch , Dune , Liam Young , The Great Endeavor , Frank Herbert , ‘Brave New Now’ , Machine Landscapes AD issue , Unknown Fields , Kate Davies , Planet City , 2023 Venice Architecture Biennale , National Gallery of Victoria (NGV) , Melbourne , Alexey Marfin , Holly Jean Buck , Atacama Large Millimeter/submillimeter Array (ALMA) , Robert McCarter , House Atreides , Caladan , House Harkonnen , Arrakis , Fremen , Giedi Prime , Ane Crabtree , Exxon , Halliburton , Shell , Lyra Pramuk
Desirous Machines: Towards a New Architectural Allegory
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