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Indeterminacy & Contingency: The Seroussi Pavilion and Bloom by Alisa Andrasek
The lightly programmed spaces of flexible, temporary structures enable open‐ended interactions. Here, architect and curator Alisa Andrasek, who is Reader in Architecture and Computation at the Bartlett School of Architecture, University College London (UCL), describes how she has embraced adaptability and social engagement by adopting a strategy of ‘indeterminacy’ and ‘contingency’ in her two installations: the Seroussi Pavilion (2007) and Bloom (2012).
Indeterminacy & Contingency: The Seroussi Pavilion and Bloom by Alisa Andrasek
The lightly programmed spaces of flexible, temporary structures enable open‐ended interactions. Here, architect and curator Alisa Andrasek, who is Reader in Architecture and Computation at the Bartlett School of Architecture, University College London (UCL), describes how she has embraced adaptability and social engagement by adopting a strategy of ‘indeterminacy’ and ‘contingency’ in her two installations: the Seroussi Pavilion (2007) and Bloom (2012).
Indeterminacy & Contingency: The Seroussi Pavilion and Bloom by Alisa Andrasek
Andrasek, Alisa (author)
Architectural Design ; 85 ; 106-111
2015-05-01
6 pages
Article (Journal)
Electronic Resource
English
Design Museum , The Future is Here , Alisa Andrasek , Facebook , Cutty Sark , Maison André Bloc , Meudon , Design Hub , London , Mesonic Emissions , Melbourne , Biothing, Seroussi Pavilion competition , Sculptures habitacles , RMIT University , Greenwich , Minecraft , Nathalie Seroussi , Olympic and Paralympic Games , Claude Parent , Centre Pompidou , World of Goo , Paris , Rubik's Cube , distribution limited aggregation (DLA) , Bloom , Bloom Games , Victoria Park , Lego , Twitter , Wonder , Jose Sanchez
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