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Virtual Corpses, Figural Sections and Resonant Fields
The ‘figural section’ is one of the most potent but under used forms of architectural communication. It enables slices, extrusions, fragments and surfaces of buildings to become the media of the non‐expressive and deadpan. Here Sean Griffiths of FAT looks at Venturi Scott Brown's influence in the development of the figural section and how it has evolved into a key trope in his practice's own work. Copyright © 2011 John Wiley & Sons, Ltd.
Virtual Corpses, Figural Sections and Resonant Fields
The ‘figural section’ is one of the most potent but under used forms of architectural communication. It enables slices, extrusions, fragments and surfaces of buildings to become the media of the non‐expressive and deadpan. Here Sean Griffiths of FAT looks at Venturi Scott Brown's influence in the development of the figural section and how it has evolved into a key trope in his practice's own work. Copyright © 2011 John Wiley & Sons, Ltd.
Virtual Corpses, Figural Sections and Resonant Fields
Griffiths, Sean (author)
Architectural Design ; 81 ; 68-77
2011-09-01
10 pages
Article (Journal)
Electronic Resource
English
Leisure Lounge nightclub , The Blue House, Hackney, London , Kistner House , The Birth of the Clinic , ‘parasitic architecture’ , sliced into 1,871 sections , The Visible Human Project , Robert Venturi , Ed Ruscha , Patrick Caulfield , the Independent Group , Adsite , Joseph Paul Jernigan , Giovanni Battista Piranesi , Gordon Matta‐Clark , ‘figural section’ Steve Izenour , National College of Football Hall of Fame , John Hejduk , Denise Scott Brown , Dan Graham , Pop Art , Conical Intersect (Paris, 1975) , Michel Foucault , ‘Bill‐ding board’ , Learning from Las Vegas , Bingo (1974) , Andy Warhol , FAT's Sint Lucas Art Academy , Facadism
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