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Reading the Wind and Weather: The Meteorological Architecture of Studio Mumbai
Architectural writer and educator Kazi Ashraf likens the work of Studio Mumbai to that of a tree, in which landscape and architecture converge. As he explains, such a position is realised by a profound commitment to the act of building in which native materials are condensed into temporary structures. This requires due attention to the process of making, reflected in a workshop practice that incorporates craftsmen and artisans, and by necessity has to stand outside the conventional expectations for construction and economies of time.
Reading the Wind and Weather: The Meteorological Architecture of Studio Mumbai
Architectural writer and educator Kazi Ashraf likens the work of Studio Mumbai to that of a tree, in which landscape and architecture converge. As he explains, such a position is realised by a profound commitment to the act of building in which native materials are condensed into temporary structures. This requires due attention to the process of making, reflected in a workshop practice that incorporates craftsmen and artisans, and by necessity has to stand outside the conventional expectations for construction and economies of time.
Reading the Wind and Weather: The Meteorological Architecture of Studio Mumbai
Ashraf, Kazi (author)
Architectural Design ; 82 ; 78-83
2012-11-01
6 pages
Article (Journal)
Electronic Resource
English
Aladdin Mustafa , Laurie Baker , Utsav House in Satirje , Studio Mumbai Architects, Palmyra House, Nandgaon, Maharashtra, India, 2007 , mango trees , Bijoy Jain , Victoria and Albert Museum , Kengo Kuma , ‘weak architecture’ , Hasan Fathy , Gianni Vattimo's ‘weak ontology’ , Prem Chandavarkar , coconut groves , Geoffrey Bawa , Kenneth Frampton , Wharton Esherick , Belavali House , Louis Kahn , Copper House II , Tara House, Kashid
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