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Romanesque Sculpture in Northern Europe
The most useful historiographical studies for Romanesque sculpture up to the early nineteenth century, at which stage the study of sculpture starts to separates from architecture, are those which are specifically focused on the architecture of the period. This chapter proposes yet another refinement ‐ this time historiographic, and attempts to merge some of the overlap between existing proposals. Proposals such as those by Mortenson (for Latin historiography from 1500 to the present) and Thomas Lyman (the historiography of Romanesque French sculpture from 1700 to the present) stress the gradual process of refinement and definition. In the post‐medieval period, the historiography of Romanesque sculpture is largely given over to antiquarian studies. Romanesque sculpture in England and Ireland differs considerably from that of mainland Europe. Organized on a more localized regional and school‐type structure than France, different influences came into play at various times and in different areas with little uniformity.
Romanesque Sculpture in Northern Europe
The most useful historiographical studies for Romanesque sculpture up to the early nineteenth century, at which stage the study of sculpture starts to separates from architecture, are those which are specifically focused on the architecture of the period. This chapter proposes yet another refinement ‐ this time historiographic, and attempts to merge some of the overlap between existing proposals. Proposals such as those by Mortenson (for Latin historiography from 1500 to the present) and Thomas Lyman (the historiography of Romanesque French sculpture from 1700 to the present) stress the gradual process of refinement and definition. In the post‐medieval period, the historiography of Romanesque sculpture is largely given over to antiquarian studies. Romanesque sculpture in England and Ireland differs considerably from that of mainland Europe. Organized on a more localized regional and school‐type structure than France, different influences came into play at various times and in different areas with little uniformity.
Romanesque Sculpture in Northern Europe
Rudolph, Conrad (editor) / Hourihane, Colum (author)
A Companion to Medieval Art ; 417-438
2019-04-15
22 pages
Article/Chapter (Book)
Electronic Resource
English
Romanesque Sculpture in Northern Europe
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