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The True Counterfeits of Banksy: Radical Walls of Complicity and Subversion
Tattoo or consummate object of consumption? Banksy's artwork has an uneasy status. It simultaneously has the power to subvert, questioning the conventions of the art world while potentially colluding with it. Eva Branscome explores the paradox of Banksy in the light of Post‐Modernism. Copyright © 2011 John Wiley & Sons, Ltd.
The True Counterfeits of Banksy: Radical Walls of Complicity and Subversion
Tattoo or consummate object of consumption? Banksy's artwork has an uneasy status. It simultaneously has the power to subvert, questioning the conventions of the art world while potentially colluding with it. Eva Branscome explores the paradox of Banksy in the light of Post‐Modernism. Copyright © 2011 John Wiley & Sons, Ltd.
The True Counterfeits of Banksy: Radical Walls of Complicity and Subversion
Branscome, Eva (author)
Architectural Design ; 81 ; 114-121
2011-09-01
8 pages
Article (Journal)
Electronic Resource
English
Beardsley , Museum of Modern Art (MoMA) , Banksy, LARGE GRAFFITI SLOGAN (Some assembly required), IKEA, Croydon, 2009 , Evening Standard , Armoured Peace Dove, Palestine , canvas/wall performance art , ‘subversion from within’ , One Nation under CCTV, Newman Street , Wallpaper graffiti, Regent's Canal, London , New Orleans , Jenny Holzer , Double yellow lines, Tower Hamlets , Sotheby's , ‘Simple intelligence testing’ , Tate , stencil , I pledge allegiance to the bag , Arthur Danto , Warhol's Brillo box , Hogarth , ‘high‐street irony’ , Street Cleaner , Homage to Keith Haring, Southwark , site‐specific , Agitprop , Wall and Piece , Bethlehem , Hurricane Katrina , Damien Hirst , Keep it Spotless , Norman Rockwell , Hirst's Pharmaceutical , living animals , Cans Festival of urban art , graffiti tourism , City Museum and Art Gallery, Bristol , Le Corbusier , five themes , Brit Art , ‘Banksy versus Bristol Museum’ , Dadaism
The True Counterfeits of Banksy: Radical Walls of Complicity and Subversion
British Library Online Contents | 2011
|Online Contents | 2013