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‘Fabric is the perfect mediator between the firm and the flowing.’ Nigel Coates celebrates the textile's rediscovery as a metaphor for the architectural envelope, liberating it from its reputation as having only a supporting, ‘comfort role’ in the interior. He describes his own experiments with textiles at Branson Coates Architecture and the Royal College of Art (RCA), in which they alternately become skin, weave and pattern operating at every scale from the individual body to the urban plan. Copyright © 2006 John Wiley & Sons, Ltd.
‘Fabric is the perfect mediator between the firm and the flowing.’ Nigel Coates celebrates the textile's rediscovery as a metaphor for the architectural envelope, liberating it from its reputation as having only a supporting, ‘comfort role’ in the interior. He describes his own experiments with textiles at Branson Coates Architecture and the Royal College of Art (RCA), in which they alternately become skin, weave and pattern operating at every scale from the individual body to the urban plan. Copyright © 2006 John Wiley & Sons, Ltd.
Skin/Weave/Pattern
Coates, Nigel (author)
Architectural Design ; 76 ; 44-49
2006-11-01
6 pages
Article (Journal)
Electronic Resource
English
Branson Coates Architecture, Body Zone, Millennium Dome, London, 1999 , The Fold , Gianlorenzo Bernini, Estasi di Santa Teresa, Capella Cornaro, Santa Maria della Vittoria, Rome, 1647‐52 , G4 (Will Alsop, Sam Jacob, Tom Coward, Nigel Coates), First Thames Gateway Workshop, Royal College of Art, London, 2006 , Fiorella lamp , E‐volution, Rainham Marsh, Essex, 2005 , Minnie‐Crinnie, Middlehaven, Middlesborough, Teesside, 2005 , New Wapping, Silvertown, east London, 2006 , Zaha Hadid , John Galliano
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