A platform for research: civil engineering, architecture and urbanism
A platform for research: civil engineering, architecture and urbanism
Stage Left, Stage Right – The Heavens & Hell: Embodied Meaning & Memory in Performance
Former Artistic Director of the Royal Shakespeare Company Michael Boyd proposes an analogy between the ‘thrust’ stage and the human brain. On the thrust stage, he suggests, the actor holds the centre of the auditorium, in creative tension with the complex ‘mind’ of a four‐dimensional space that demands and allows communication with, and between, a thousand different points of view.
Stage Left, Stage Right – The Heavens & Hell: Embodied Meaning & Memory in Performance
Former Artistic Director of the Royal Shakespeare Company Michael Boyd proposes an analogy between the ‘thrust’ stage and the human brain. On the thrust stage, he suggests, the actor holds the centre of the auditorium, in creative tension with the complex ‘mind’ of a four‐dimensional space that demands and allows communication with, and between, a thousand different points of view.
Stage Left, Stage Right – The Heavens & Hell: Embodied Meaning & Memory in Performance
Boyd, Michael (author)
Architectural Design ; 90 ; 22-27
2020-11-01
1 pages
Article (Journal)
Electronic Resource
English
Henry VI Part 1, 2 and 3 , University College London , Ian Ritchie Architects , London taxi drivers , Richard II , John O'Keefe , England , 'The Knowledge' , Richard III , History plays , William Shakespeare, Henry VI: The Battle for the Throne , Royal Shakespeare Theatre , rats , Agincourt , Stratford‐upon‐Avon , neuroscientists , Chuk Iwuji , Henry V , Jonathan Singer , RSC Courtyard Theatre , hippocampi
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