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“Those Wilder Sorts of Painting”
The Painted Interior in the Age of Antonio Verrio
This essay reflects on the rise and fall of the painted interior in early modern England. The author's concern with what he describes as “those wilder sorts of Painting” is rather different, however, focuses not on the choice of subject, but on the architectural scale and site‐specific nature of such painting. Exploring where and how the histories of painting and architecture converge not only promises to throw new light on the decorated interiors of early modern England, it also presents an opportunity to reassess the historical development of the discipline as a whole. The author ends the chapter with a short account of a little‐known decorative scheme in the south of England.
“Those Wilder Sorts of Painting”
The Painted Interior in the Age of Antonio Verrio
This essay reflects on the rise and fall of the painted interior in early modern England. The author's concern with what he describes as “those wilder sorts of Painting” is rather different, however, focuses not on the choice of subject, but on the architectural scale and site‐specific nature of such painting. Exploring where and how the histories of painting and architecture converge not only promises to throw new light on the decorated interiors of early modern England, it also presents an opportunity to reassess the historical development of the discipline as a whole. The author ends the chapter with a short account of a little‐known decorative scheme in the south of England.
“Those Wilder Sorts of Painting”
The Painted Interior in the Age of Antonio Verrio
Arnold, Dana (editor) / Corbett, David Peters (editor) / Johns, Richard (author)
A Companion to British Art ; 77-104
2013-04-15
27 pages
Article/Chapter (Book)
Electronic Resource
English
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