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Shadows bring a sense of animated vitality to any building, and their representations on drawings add a sense of depth and believability to that which is being illustrated. Nat Chard, Professor of Experimental Architecture at University College London (UCL), has a longstanding interest in movement, optics, photography and the intangible spaces in between them. His Institute of Paradoxical Shadows cleaves the shadow from its material datum, leaving it hanging, a suspended spectral entity, encountered through a séance‐like trance of cognitive confusion.
Shadows bring a sense of animated vitality to any building, and their representations on drawings add a sense of depth and believability to that which is being illustrated. Nat Chard, Professor of Experimental Architecture at University College London (UCL), has a longstanding interest in movement, optics, photography and the intangible spaces in between them. His Institute of Paradoxical Shadows cleaves the shadow from its material datum, leaving it hanging, a suspended spectral entity, encountered through a séance‐like trance of cognitive confusion.
Chasing Paradoxical Shadows
Chard, Nat (author)
Architectural Design ; 94 ; 74-83
2024-07-01
1 pages
Article (Journal)
Electronic Resource
English
John Holmes , Sciagraphy , Instrument Six , Instrument Nine , Johannes Vermeer , The Guitar Player , Peter Pan , Allegory of the Cave , Plato's Republic , RW Conant , ‘Gerke’ , Mina ‘Margery’ Crandon , Canada , Thomas Glendenning Hamilton , Institute of Paradoxical Shadows , Atlas of Floating Shadows , Paolo Veronese , The Adoration of the Kings , Hippolyte Baraduc , Salpêtrière Hospital , Paris , Jean‐Martin Charcot , Wilhelm Conrad Röntgen , X‐rays , Étienne‐Jules Marey , Collège de France , Polaroid transfers
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