Anything Goes

Puglisi, Luigi Prestinenza (author)

Architectural Design ; 79 ; 6-12

2009-01-01

7 pages

1554-2769 , 0003-8504

https://doi.org/10.1002/ad.798

Article (Journal)

Electronic Resource

English

Quai Branly Museum in Paris , the Archistar , Giorgio Grassi , Luigi Filetici, I‐Contaminations, Photograph taken with an I‐Phone, 2008 , Centre Pompidou in Paris (1997) , scientific development , ‘glass box’ , change in the philosophies of reference , Abitare , the Information Society , analytical and methodological endeavour , Vitra campus , NOWA (NavarraOfficeWalkArchitecture), Image taken from the publication edited by Marco Navarra, Repairing Cities:Repairing as a ‘Survival’ Strategy, Learning from Cairo, prepared for the Venice Biennale of Architecture, 2008 , ‘Everything is Architecture’ , Charles Jencks , art has volatilised , CIAM (the International Congress of Modern Architecture) , KPN Telecom Tower in Rotterdam (2000) , Carréd'Art in Nîmes (1993) , Laban Dance Centre in Deptford, London (2003) , Paolo Portoghesi , NOWA (NavarraOfficeWalkArchitecture), Un sistema de padiglioni per l'agricoltura e altro (A system of pavilions for agriculture and more), Venice Biennale of Architecture, 2004 , Philip Johnson and Mark Wigley , Coop Himmelb(l)au , Fondazione Cartier in Paris , Rem Koolhaas , In Advance of the Broken Arm (1915) , ‘Deconstructivist Architecture’ exhibition , Alvaro Siza , Will Alsop's Neo‐Pop phase , Rafael Moneo , Stefano Boeri , French and English Minimalism , Manfredo Tafuri and Kenneth Frampton , Bernard Tschumi , Architectural Association in London , School of Graz , ‘La presenza del passato’ (The Presence of the Past) , James Stirling , Yves Michaud , art a l'état gazeux (art in a gaseous state) , Santiago Calatrava , Inquietud teórica y estrategia proyectual, en la obra de ocho arquitectos contemporaneous , Hans Hollein , Museum of Modern Art (MoMA) , Star System , Mario Gandelsonas , play with the skin of their buildings , Zaha Hadid , La costruzione logica dell'architettura , Derrida , Kursaal in San Sebastián, Spain (1999) , Herzog &de Meuron , ‘New Spirit’ , Hans Belting and Arthur Danto , AMO , Frank Gehry , Jean Nouvel and Toyo Ito , Postmodernism , Dominique Perrault and David Chipperfield , Renzo Piano , an architecture of transparency , Auditorium in Rome (2002) , an architecture of curves and computers , Paul Feyerabend , Grin Grin in Fukuoka , High‐Tech , Marcel Duchamp , Abstraction, Neoplasticism, Cubism, Purism, Suprematism , Norman Foster , urinal signed by Mutt (1917) , neo‐organicism , avant‐garde , Étant donnés , The Architectural Review , Cooper Union , the Sendai Mediatheque, Japan , Bruno Zevi , John Hedjuk , Peter Eisenman , Learning from Las Vegas , ‘Natural Born CAADesigners’ , Notes on Conceptual Architecture , Aldo Rossi , Peter Cook , Joseph Kosuth's ideas , Deleuze , S,M,L,XL , Swiss Re headquarters (the ‘Gherkin’)