The Haçienda Must Be Built

Spiller, Neil (author)

Architectural Design ; 93 ; 128-133

2023-11-01

1 pages

0003-8504 , 1554-2769

https://doi.org/10.1002/ad.3003

Article (Journal)

Electronic Resource

English

Ivan Chtcheglov , ‘Formulary for a New Urbanism’ , The Haçienda nightclub , Manchester , New Order , Rob Gretton , Alan Erasmus , Tony Wilson , Peter Saville , Factory Records , Ben Kelly , Yorkshire Dales , Appletreewick , Lancaster Art School , Rolling Stones , The Beatles , Royal College of Art (RCA) , Sir Hugh Casson , 1951 Festival Of Britain , Max Clendinning , The Who , Andy Warhol , Factory studio , New York , Jimi Hendrix , Archizoom , Superstudio , Paris , Pierre Charreau , Maison de Verre , Renzo Piano , Richard Rogers , River Seine , Pompidou Centre , ‘Art Bar’ , ‘the Photo Kid’ , Covent Garden , Zanzibar night spot , Chelsea , HOWIE boutique , 430 King's Road , Malcolm McLaren , Vivienne Westwood , William S Burroughs , ‘METAL LINED CUBICLES – THE PHOTO KID’ , Orchestral Manoeuvres in the Dark (OMD) , Joy Division , ‘Love Will Tear Us Apart’ , ‘The Gay Traitor’ , Anthony Blunt , Kim Philby Bar , Hicks , Guy Burgess , French Situationists , Marcel Duchamp , Large Glass , Victoria and Albert Museum , Kensington , Ismaili Centre , Casson Conder Partnership , Smile hair salon , The World of Interiors , Morph , Haçienda West , Haçienda East , Peter Hook , Justin Metz , Brendan Mannion , DJ Frankie Knuckles , Brinkworth , Aviva Studios – Factory International , OMA