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In recent decades, conservationists and planners have co‐opted contextualism, reducing it to a tool for enforcing urban conformity. Here Charles Jencks reclaims contextualism as a dynamic design strategy. He identifies four different contextual treatments that as well as ensuring continuity are potentially transformative. Copyright © 2011 John Wiley & Sons, Ltd.
In recent decades, conservationists and planners have co‐opted contextualism, reducing it to a tool for enforcing urban conformity. Here Charles Jencks reclaims contextualism as a dynamic design strategy. He identifies four different contextual treatments that as well as ensuring continuity are potentially transformative. Copyright © 2011 John Wiley & Sons, Ltd.
Contextual Counterpoint
Jencks, Charles (author)
Architectural Design ; 81 ; 62-67
2011-09-01
6 pages
Article (Journal)
Electronic Resource
English
James Stirling , Haussmann facades , Hans Hollein , Hans Döllgast , Josef Wiedemann , Alte Pinakothek , Neues Museum, Berlin , High‐Tech elements , Glyptothek , variable chameleon , Edouard François , Robert Venturi , Herzog & de Meuron , Prince Charles , National Gallery Extension , Punctuated jazz , Haus House , high‐culture moments , Forum La Caixa , Neue Staatsgalerie in Stuttgart , Stirling's Clore Gallery , ‘ghost pilasters’ , Hotel Fouquet, Paris , repairing, reproducing, paraphrasing , David Chipperfield , Contrapuntal counterpoint , Aldo Rossi
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