A platform for research: civil engineering, architecture and urbanism
Underground and Avant‐Garde Cinema
This chapter contains sections titled:
Cult and the Avant‐garde of the 1920s
The American Underground of the 1950s and 1960s
Underground Goes Overground: The Midnight Movie
The Underground Today
Underground and Avant‐Garde Cinema
This chapter contains sections titled:
Cult and the Avant‐garde of the 1920s
The American Underground of the 1950s and 1960s
Underground Goes Overground: The Midnight Movie
The Underground Today
Underground and Avant‐Garde Cinema
Mathijs, Ernest (author) / Sexton, Jamie (author)
Cult Cinema ; 155-163
2011-05-10
9 pages
Article/Chapter (Book)
Electronic Resource
English
underground goes overground, and midnight movies ‐ popularity of midnight movie screenings , Paris, where cinephilia flourished ‐ interwar period, remaining capital of cinephilia to this day , film societies, emergence in interwar period ‐ key factor in cult cinema development , Filmmaker's Cooperative, and Mekas ‐ lower‐budgeted avant‐garde, and experimental films , the American underground, 1950s and 1960s ‐ Manny Farber, using “underground film,” as low‐budget adventure films , underground and avant‐garde cinema ‐ cult cinema, different entity than avant‐garde cinemas , The Cabinet of Dr. Caligari, biggest cult film ‐ “the cult par excellence of the little cinema” by Potamkin , cult films, more populist than esoteric marginalia ‐ and avant‐garde and underground films , cult viewing practices, and emergence ‐ art house and repertory cinemas, the United States , the underground today ‐ any film not picked up by distribution company, for conventional theatrical release
Slapstick homes: architecture in Slapstick Cinema and the Avant-Garde
Taylor & Francis Verlag | 2018
|Slapstick homes: architecture in Slapstick Cinema and the Avant-Garde
British Library Online Contents | 2018
|British Library Online Contents | 2017