A platform for research: civil engineering, architecture and urbanism
A platform for research: civil engineering, architecture and urbanism
Mapping the Invisible Landscape: An Exercise in Spatially Choreographed Sound
10.1002/ad.712.abs
Paul Bavister of Audialsense describes how a series of auditory research installations in the Turbine Hall of the Tate Modern presented the opportunity to play with the relationship between sound and the built, inverting the usual relationship in which architecture accommodates the acoustic. Copyright © 2008 John Wiley & Sons, Ltd.
Mapping the Invisible Landscape: An Exercise in Spatially Choreographed Sound
10.1002/ad.712.abs
Paul Bavister of Audialsense describes how a series of auditory research installations in the Turbine Hall of the Tate Modern presented the opportunity to play with the relationship between sound and the built, inverting the usual relationship in which architecture accommodates the acoustic. Copyright © 2008 John Wiley & Sons, Ltd.
Mapping the Invisible Landscape: An Exercise in Spatially Choreographed Sound
Bavister, Paul (author)
Architectural Design ; 78 ; 98-103
2008-07-01
6 pages
Article (Journal)
Electronic Resource
English
(Paul Bavister, Jason Flanagan and Ian Knowles) , accelerometers , Standing wave phenomena , scrolling sine waves , Denge sound mirrors , Audialsense ‘100hertz’, Tate Modern, Bankside, London, 2007 , harmonics , site‐specific chord , basic frequency and spectral analysis software. , travelling pressure waves , sine waves , ‘pure sound’ , ‘resonant chambers’ , ‘unseen architecture’ , ‘gender‐specific’ waves
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