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A platform for research: civil engineering, architecture and urbanism
Domestic Afterlives: Rachel Whiteread's Ghost
10.1002/ad.670.abs
Long associated with uncanny atmosphere, ghosts suggest a lingering presence of something past. Rachel Carley's examination of Rachel Whiteread's Ghost belies the role that the plaster‐casting process makes towards visualising the invisible. In turn, the vestigial traces of a room's surface are refigured as a solid volume capable of depleting light and heat from the space of the museum. Copyright © 2008 John Wiley & Sons, Ltd.
Domestic Afterlives: Rachel Whiteread's Ghost
10.1002/ad.670.abs
Long associated with uncanny atmosphere, ghosts suggest a lingering presence of something past. Rachel Carley's examination of Rachel Whiteread's Ghost belies the role that the plaster‐casting process makes towards visualising the invisible. In turn, the vestigial traces of a room's surface are refigured as a solid volume capable of depleting light and heat from the space of the museum. Copyright © 2008 John Wiley & Sons, Ltd.
Domestic Afterlives: Rachel Whiteread's Ghost
Carley, Rachel (author)
Architectural Design ; 78 ; 26-29
2008-05-01
4 pages
Article (Journal)
Electronic Resource
English
Saatchi Gallery , Carlisle Gallery in Islington, London , sense of disorientation , Anthony Vidler , ‘fetch’ , Chisenhale Gallery , The sculpture disallows access to the interior in any legible form , negative impression of the light switch , The atmosphere it generates alters dramatically in relation to the size and scale of the space , Moshen Mostafavi and David Leatherbarrow , ‘mummyfying the air in the room and making it solid’
Domestic Afterlives: Rachel Whitereads Ghost
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