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Constructing Indeterminacy: A Détournement of Didactic Models
Drawing happens across space and time, and is action orientated by pen/pencil, inkjet or paint. The substrate that is drawn/marked on is also important, whether mylar, paper or sculptural instruments. Penelope Haralambidou explores her fellow Bartlett School of Architecture professor and office room‐mate Nat Chard's Instrument 10, part of a longstanding iterative drawing and representation project.
Constructing Indeterminacy: A Détournement of Didactic Models
Drawing happens across space and time, and is action orientated by pen/pencil, inkjet or paint. The substrate that is drawn/marked on is also important, whether mylar, paper or sculptural instruments. Penelope Haralambidou explores her fellow Bartlett School of Architecture professor and office room‐mate Nat Chard's Instrument 10, part of a longstanding iterative drawing and representation project.
Constructing Indeterminacy: A Détournement of Didactic Models
Haralambidou, Penelope (author)
Architectural Design ; 92 ; 22-29
2022-07-01
1 pages
Article (Journal)
Electronic Resource
English
Mel Bochner , Copenhagen , Mona Lisa , Situationist International , Ole Worm , Bartlett School of Architecture, University College London (UCL) , Wunderkammer , Guy Debord , Charles and Ray Eames , Letterist International collective , Museum Wormianum , Society of the Spectacle , The Bride Stripped Bare by Her Bachelors, Even (The Large Glass) , 3 Standard Stoppages , Robert Smithson , Hayden Planetarium , Marcel Duchamp , The Model as Performance , Nat Chard , Lawrence Wallen , Gil J Wolman , Instrument Ten , Zeiss planetarium projector , ‘The Domain of the Great Bear’ , Thea Brejzek , ‘rectified readymade’ L.H.O.O.Q , ‘Mode d'emploi du détournement’ (‘A User's Guide to Détournement’)
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