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With the onset of fully fledged file‐to‐factory design techniques, why should architects want to restrict themselves to the prescribed limits of descriptive geometry? In this article Mark Burry looks at a specific set of geometries ‐ doubly ruled surfaces ‐ that have been most explicitly developed by ‘structural artists’ Antoni Gaudí, Vladimir Shukhov and Félix Candela. He asks whether the application of doubly ruled surfaces like these might help us to make a significant distinction between architecture and sculpture. Copyright © 2011 John Wiley & Sons, Ltd.
With the onset of fully fledged file‐to‐factory design techniques, why should architects want to restrict themselves to the prescribed limits of descriptive geometry? In this article Mark Burry looks at a specific set of geometries ‐ doubly ruled surfaces ‐ that have been most explicitly developed by ‘structural artists’ Antoni Gaudí, Vladimir Shukhov and Félix Candela. He asks whether the application of doubly ruled surfaces like these might help us to make a significant distinction between architecture and sculpture. Copyright © 2011 John Wiley & Sons, Ltd.
Geometry Working Beyond Effect
Burry, Mark (author)
Architectural Design ; 81 ; 80-89
2011-07-01
10 pages
Article (Journal)
Electronic Resource
English
Heinz Isler , Catalan vaulting , L'Oceanogràfic , Sagrada Família Church , Voronoi diagram , structural artists , Colònia Güell Chapel , Michelangelo , stereotomy , Vladimir Shukhov , Pier Luigi Nervi , computer numerically controlled (CNC) , Antoni Gaudí , hyperbolic paraboloids , Peter Rice , Félix Candela , ‘All Russia’ exhibition , Frei Otto , Pietà , Shabololvka (Shukhov) Tower , Medicean‐Laurentian Library in Florence , doubly ruled surfaces , Hooke's law , David Billington , Thomas Young , hanging model
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