Dualism is Dead; Long Live the Pastoral

Titman, Mark (author)

Architectural Design ; 83 ; 14-19

2013-05-01

6 pages

1554-2769 , 0003-8504

https://doi.org/10.1002/ad.1584

Article (Journal)

Electronic Resource

English

JG Ballard's High‐Rise (1975) , Claude Faraldo's Themroc (1973) , Matthew Cannon and Mascia Gianvanni , Server project , Facebook , John Milton , Michael Krinou, Aviary and Dovecote, Deptford High Street , John Fowles , Mike Aling , The Golden Age , Terry Gilliam's Brazil (1985) , R&Sie(n)/New Territories , Alastair Parvin , Thomas Pynchon's Gravity's Rainbow (1973) , John Puttick , ‘Shard’ , William Blake , Constructivists , Derek Draper, Book Shop, Oxford Street, London , Suzanne Moxhay, Eventide, digital collage , François Roche , Foster + Partners , Canary Wharf , Night On Earth (1991) , Barbarella , Dominic Shepherd , Turtle Portable Theatre , William Shakespeare , Paradise Lost , Kathryn Findlay , Animal Houses , Snake Bridge, oil on card , Virgil , Louis Kahn , Nic Clear , Herd Houses , Michael Sorkin , Land of Scattered Seeds , Lucas Cranach the Elder , Zaha Hadid , Edmund Spenser , Starfish Revolving Restaurant , ‘Gherkin’ , John Boorman's The Emerald Forest (1985) , The Faerie Queen , Dead Man (1995) , MVRDV , Frank Gehry , Renzo Piano , Geoff Ward , Colin Harrison , Samuel Palmer , ‘Digital Cottage Industries’ , Frank Lloyd Wright , Mark Titman, Albert Memorial and Emperor Butterfly, digital collage , Friedensreich Hundertwasser , Mark Titman, Robin Monotti and James Furzer, Watering Holes, Green Park , The Tree (1979) , Jim Jarmusch , European Space Agency , Vitruvius , Claude Lévi‐Strauss