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As sites of turbulence and transformation, cities are machines for forgetting. And yet archiving and exhibiting the presence of the past remains a key cultural, political and economic activity in many urban environments. This book takes the example of Berlin over the past four decades to chart how the memory culture of the city has responded to the challenges and transformations thrown up by the changing political, social and economic organization of the built environment. The book focuses on the visual culture of the city (architecture, memorials, photography and film). It argues that the recovery of the experience of time is central to the practices of an emergent memory culture in a contemporary overexposed city, whose spatial and temporal boundaries have long since disintegrated
As sites of turbulence and transformation, cities are machines for forgetting. And yet archiving and exhibiting the presence of the past remains a key cultural, political and economic activity in many urban environments. This book takes the example of Berlin over the past four decades to chart how the memory culture of the city has responded to the challenges and transformations thrown up by the changing political, social and economic organization of the built environment. The book focuses on the visual culture of the city (architecture, memorials, photography and film). It argues that the recovery of the experience of time is central to the practices of an emergent memory culture in a contemporary overexposed city, whose spatial and temporal boundaries have long since disintegrated
Urban Memory and Visual Culture in Berlin
Ward, Simon (author)
2016
1 electronic resource ( p.)
Book
Electronic Resource
Unknown
Urban Memory and Visual Culture in Berlin : Framing the Asynchronous City, 1957-2012
TIBKAT | 2016
|Urban Memory and Visual Culture in Berlin : Framing the Asynchronous City, 1957-2012
UB Braunschweig | 2016
|Urban Memory and Visual Culture in Berlin : Framing the Asynchronous City, 1957-2012
TIBKAT | 2016
|