Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
In the late 1970s, Lebbeus Woods embarked on an ambitious project: to depict Richard Wagner's The Ring Cycle. Jörg H Gleiter, Professor of Architectural Theory at the Technical University Berlin, takes us through the intersected worlds of music, drama and visual expression, suggesting that both Wagner and Woods are critics of Enlightenment. Exploitation of Earth, greed and envy are the beginning of the End, for Wagner. A century later, Woods extends this negative mythology.
In the late 1970s, Lebbeus Woods embarked on an ambitious project: to depict Richard Wagner's The Ring Cycle. Jörg H Gleiter, Professor of Architectural Theory at the Technical University Berlin, takes us through the intersected worlds of music, drama and visual expression, suggesting that both Wagner and Woods are critics of Enlightenment. Exploitation of Earth, greed and envy are the beginning of the End, for Wagner. A century later, Woods extends this negative mythology.
Post‐Apocalypse: The ‘Ring’ Cycle
Gleiter, Jörg H (Autor:in)
Architectural Design ; 94 ; 84-91
01.03.2024
1 pages
Aufsatz (Zeitschrift)
Elektronische Ressource
Englisch
Post‐Apocalypse: The ‘Ring’ Cycle
| Wiley | 2024
British Library Online Contents | 2010
| Wiley | 2010
| Taylor & Francis Verlag | 1995
| Taylor & Francis Verlag | 2013