Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
In cinema, the post‐apocalypse has become a recurring theme offering endless opportunities to envisage and keep on reimagining the end of the world as we know it. Here Mark Fisher explores the post‐apocalyptic in Children of Men (2006), The Road (2006) and Terminator Salvation (2009), and asks whether these seminal films point towards a tendency to imagine the end of existence over the end of capitalism. Copyright © 2010 John Wiley & Sons, Ltd.
In cinema, the post‐apocalypse has become a recurring theme offering endless opportunities to envisage and keep on reimagining the end of the world as we know it. Here Mark Fisher explores the post‐apocalyptic in Children of Men (2006), The Road (2006) and Terminator Salvation (2009), and asks whether these seminal films point towards a tendency to imagine the end of existence over the end of capitalism. Copyright © 2010 John Wiley & Sons, Ltd.
Post‐Apocalypse Now
Fisher, Mark (Autor:in)
Architectural Design ; 80 ; 70-73
01.09.2010
4 pages
Aufsatz (Zeitschrift)
Elektronische Ressource
Englisch
‘it is easier to imagine the end of the world than the end of capitalism’ , Alfonso Cuarón's 2006 film Children of Men , Emmanuel Lubezki , absence of continuity , Postmodern culture , ‘Ministry of Art’' , John Hillcoat , ‘there is no fate but what we make’ , McG, Terminator Salvation, 2009 , Fredric Jameson , Slavoj Žižek , Jean‐Pierre Dupuy , Cormac McCarthy's novel The Road (2006) , Battersea Power Station
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