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Glamourized Houses : Neutra, Photography, and the Kaufmann House
The current debate on reproduction and architectural publication has established new terms for the examination of architectural photographs. No longer treated simply as a species of architectural documentation-such as renderings or plans- photographs of buildings are acknowledged as sharing in the cultural power of the photographic medium and must consequently be examined as a form of social production. The publication of Richard Neutra's 1946 Kaufmann house reveals the power of the print media in the establishment of an architectural canon; moreover Neutra's habit of reworking photographs of his built designs suggests the appropriateness of reexamining his contribution to the legacy of involving photography and the media in the architectural process.
Glamourized Houses : Neutra, Photography, and the Kaufmann House
The current debate on reproduction and architectural publication has established new terms for the examination of architectural photographs. No longer treated simply as a species of architectural documentation-such as renderings or plans- photographs of buildings are acknowledged as sharing in the cultural power of the photographic medium and must consequently be examined as a form of social production. The publication of Richard Neutra's 1946 Kaufmann house reveals the power of the print media in the establishment of an architectural canon; moreover Neutra's habit of reworking photographs of his built designs suggests the appropriateness of reexamining his contribution to the legacy of involving photography and the media in the architectural process.
Glamourized Houses : Neutra, Photography, and the Kaufmann House
Niedenthal, Simon (author)
1993-01-01
Local 13325
Article (Journal)
Electronic Resource
English
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