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“Glamourized Houses”: Neutra, Photography, and the Kaufmann House
The current debate on reproduction and architectural publication has established new terms for the examination of architectural photographs. No longer treated simply as a species of architectural documentation—such as renderings or plans—photographs of building are acknowledged as sharing in the cultural power of the photographic medium and must consequently be examined as a form of social production. The publication of Richard Neutra's 1946 Kaufmann house reveals the power of the print media in the establishment of an architectural canon; moreover, Neutra's habit of reworking photographs of his built designs suggests the appropriateness of reexamining his contribution to the legacy of involving photography and the media in the architectural process.
“Glamourized Houses”: Neutra, Photography, and the Kaufmann House
The current debate on reproduction and architectural publication has established new terms for the examination of architectural photographs. No longer treated simply as a species of architectural documentation—such as renderings or plans—photographs of building are acknowledged as sharing in the cultural power of the photographic medium and must consequently be examined as a form of social production. The publication of Richard Neutra's 1946 Kaufmann house reveals the power of the print media in the establishment of an architectural canon; moreover, Neutra's habit of reworking photographs of his built designs suggests the appropriateness of reexamining his contribution to the legacy of involving photography and the media in the architectural process.
“Glamourized Houses”: Neutra, Photography, and the Kaufmann House
Niedenthal, Simon (author)
Journal of Architectural Education ; 47 ; 101-112
1993-11-01
12 pages
Article (Journal)
Electronic Resource
English
"Glamourized Houses": Neutra, Photography, and the Kaufmann House
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